The duet of Alpha Wolves are still working as a perfect creative team with the same focus and the original spirit is still intact: The high-class traditional Heavy sound, their songwriting abilities and their connections in the biz are the main attractive and the obvious common point with each WOLFPAKK releases. Since day one, the concept of this amazing project was to reveal the essential talent of Voss & Sweeney with some high level musical performances, and to let the world knowing it by adding maybe an enlightenment provided by the reputation and the notoriety of the famous guests of players and singers.
The talented binomial of Voss / Sweeney wrote all the songs together except for the lubricious hit-single “Sock It To Me” and the title track that was made with the helping hand of Axe player Martin Rauber (he’s also in charge of all the guitars in “High Roller”), they were also responsible for the production and the mixing duties, and of course they performed some ferocious lead vocals in duet or trio with the sublime collaboration of a famous bunch of Metal screamers.
This new masterpiece is tremendously polished and carefully produced, after two excellent releases, the main problem is to reach the same degree of perfection, but their commitment for their art and their dedication was decisive in the triumphal result and yes, once again the guest list is vertiginous and expansive to the point of insanity, featuring talented current and former musicians from just about every renowned band in the Hard Rock and Power/Classic Metal genre!
Running under the strong wake of their previous remarkable works and the success of their first acclaimed albums, they use the same subtle recipe: A first class Hard Rock choral project influenced by the old nature of the pure Euro Metal sound. The opening track is clearly spawned from their initial method, like a ACCEPT meets PRIEST in a fury of demented drums fills courtesy of the Mohawk Heavy hitter Mike Terrana. This time the whole sound design is more tagged in the 80’s sing along orientation, maybe a little less Germanic than the early albums, even if the pace is keeping its fast tradition, of course some part of the tunes are especially crafted for the guest vocalists, like the chorus of the Sleaze Metal anthem “Monkey On Your Back”, which is clearly designed for the Ted Poley vocal style, the Hair Metal impression is even reinforced by the Guitar solo of CASABLANCA leader Ryan Roxie. One of the highlights is of course the Epic “Highlands” even if I think that the voice of the almighty Joe Lynn Turner is underemployed, the song is clearly a winner!
”we are predators…Against the wind and rain – we carry on” those words are coming from the magnificent and touching “Black Wolf” featuring the hyper-talented Rick Altzi, which is also a very interesting number, the trio of voices is matching perfectly in this pieces that starts with an acoustic intro… The gang backing vocal chorus is particulary efficient… Superbly Heavy; another essential tune! Swedish champion John Norum is giving his six strings maximum, for the very predictable double kick driven cut “Somewhere Beyond” with also the ubiquitous David Reece on Vocals!
The next track contains some great performances by Don Dokken & Doug Aldrich and as always some clever arrangements but the best is yet to come. The most outstanding moment of the albums is the epic “Rise Of The Animal”, with the impressive Mr Kiske who provide his typical high flux of ultrasonic pitch yelling, embellished by a fast pace and a dramatic dimension, a melodic power frenzy somewhere between HELLOWEEN and PRIMAL FEAR with a little something from RAGE. At the final slot, the track “Universe” is somewhat ordinary even if the soprano vocals of Miss Michaela Schober are quite good, I can’t connect with the melodic stream and the shift of style!
Finally, “Rise Of The Animal” is another chapter for this highly acclaimed project, a perfect sequel for their trilogy ,but it’s not the end… I heard about a fourth episode and who knows maybe one day a live presentation… I wish and pray the gods for this eventuality.
If there’s a five here, then there’s usually a good reason for it. I’m not the kind of reviewer who likes to praise everything, and I try to make the most honest opinions about every album I’m handed. But this one really hit home for me. I had no idea who Wolfpakk were until I got a listen of the record and being a fan of classic heavy metal and the power metal genre before the days of the Dragonforce era modernization, I really have to say that there’s really something here for everyone.
Not only does this album feature a plethora of vocalists like Amanda Somerville (Kiske/Somerville), Ralf Scheepers (Primal Fear), and Goran Edman (Ex-Yngwie Malmsteen), but it also features guitar licks from Kee Marcello (Ex-Europe) and Mandy Meyer (Krokus, Ex-Gotthard) and others. But that’s not all, because Don Airey (Deep Purple) and the living legend Tony Carey (Rainbow) are on keyboard duties for this one. The band also decided to cover Rainbow’s classic track “Run With The Wolf” with the original keyboardist, which certainly turned out to be a stunning track. Still, skinsmen of the nature of Brian Tichy (Whitesnake/Ozzy) and Hermann Rarebell (Ex-Scorpions) are also featured on the disc among many others, making this one hell of a release. I love collaborations more than anything else out there, and when they’re done to perfection; it makes me feel honored to be able to listen to and review them for the public.
If any of these names pop out at you, you can be certain that none of these artists performed a half-baked effort and truly gave it their all. From the strong power metal opener “Moonlight” to the thumping of “Dark Revelation” and “Pressure Down” (which is sure to be in your head for days) as well as the metal anthem “Wakken”, there is more than enough metal content here to get your head banging and your horns raised like it’s the eighties all over again. There’s also a strong ballad called “Cold Winter” for which a video has been filmed. Additionally, a bonus track called “Kid Raw” has been included on the album and it’s also worth checking out.
There’s not one bad song on this album and every track seems to have hit its mark, doing classic rock and metal supreme justice. This is one of those albums that came out of nowhere and may very well deliver a stronger dose of classic metal greatness than anything else that has been or might still be released this year. If I’ll say anything else about this terrific album, it’s that this is simply the way you do a collaboration record, hands down. I’m sure that after your first listen, Wolfpakk’s Cry Wolf will leave you howling for more. (Eric May)